Painting as a Spiritual Expression

Is a canvas no more than a bit of paper with lines and shade or right more than that? In the hands of the expert painter, who is painting in the spirit; the dead bit of paper with its lines and shades, is changed into a creation that has life, about as the expert inventor gave life to his creation. The painter transmits the quintessence of his spirit to his konst, the "painting."

A painting is the articulation of the absolute entirety; it transmits customary memos and the riddles of the universe. It is born out of the craving of the maestro to stand for the types of nature and man through the spirit of the specialist as he observes his planet.

A virtuoso not just catches the types of nature; the specialist's spirit connects with the spirit of the creatures or men he is painting. His composition catches both the spirit and the memo of its subject. One can see it in the outflow, the eyes, and the gestalt of the painting. All exceptional painted creations impart a feeling or inform to the onlooker. It may be a post of adoration, amicability or quietness; or it may be a note of threat, rage, or trouble. It could be a lesson, or something that every last one of us as people can relate to, for example a craving to be cherished.

The painting as tavlor served old individuals as a medium to purge and refine the human spirit. The generally concentrated on and perceptive maestro through his particular reflection gives life to the energized states, sentiments, and otherworldly substance of the creatures and people he paints. The filtration or refinement of the onlooker's spirit happens through the motivated virtuoso's capability to impart the subject's (man or creature): spirit, movement, affections, musings, and the scene or phase of the subject, with every last bit of its shades and structure.